Shape the Shot editorial teamUpdated
Camera blocking and composition
A approaches during the first six seconds, then both characters use talking actions. B’s closer view changes the focus of attention; it does not demonstrate detailed facial acting.
Shot-by-shot breakdown

0–2 s 1. Wide establishing view
See A’s starting point and B’s waiting position.

2–6 s 2. Follow A
Keep the moving character in view.

6–9 s 3. Two-shot
Establish the face-to-face arrangement on arrival.

9–12 s 4. Closer view of B
Move attention toward the waiting person.
Try it in your own scene
Change A’s stopping point and walking duration, then move the cut to match the new arrival.
About this example
Do cuts automatically follow a timing change? No. Review and adjust the clips yourself.